Volume VI – Thomas Geiger & Pieternel Vermoortel
Volume VI – Thomas Geiger & Pieternel Vermoortel

June 2022

Thomas’ work sheds light on topics such as democratization, economization, freedom, play, embodiment, gathering and occupation. All of these are topics whose discourses underwent rapid changes over this last year. This underpinning of change lends a sensitivity and fragility to the work that also informs the rich set of sentiments present in these conversations: alienation, family comfort, fear, loneliness, love, depression, revolt and not to be underestimated anger.

Volume VI – Thomas Geiger & Pieternel Vermoortel

Sperling

all exhibits

Haris Epaminonda, Daniel Gustav Cramer: An Autumn Afternoon

4.11.2017–20.01.2018

Photos by Sebastian Kissel

Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Haris Epaminonda, Untitled #10 a/y (detail), 2016, mixed media, variable dimensions
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Haris Epaminonda, Untitled #02 t/f, 2014, white pastellone (90 x 70cm), iron plate (60 x 40cm), stone (18 x 16 x 9,5 cm)
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Daniel Gustav Cramer, Earth Impact Database, 2015, Book, 22,5 × 16,5 × 3 cm
Daniel Gustav Cramer, Tales (Argaka, Cyprus, August 2017), 2017, c-print, 29 × 24 cm
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Haris Epaminonda, N.I, 2017, white pastellone, brass, 161,5 × 172 x 5 cm
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Daniel Gustav Cramer, Tales (Nazwa, United Arab Emirates, October 2017), 2017, 10 c-prints, framed, each 25 × 20 cm
Haris Epaminonda, Unittled #15 a/y, 2017, framed found page, 33,6 × 27,2 × 2,5 cm
Haris Epaminonda, Chronicles XXI, 2016, super-8 film, digitalised, 11:15 min., colour, sound Produced by the TheViewstudio, SantiIlario Pavilion, Genova
Haris Epaminonda, Chronicles XXI, 2016, super-8 film, digitalised, 11:15 min., colour, sound Produced by the TheViewstudio, SantiIlario Pavilion, Genova